First appeared in www.scroll.in on November 29, 2014. In the second part of the series on tappa, we focus on Banaras gharana exponents. The elaboration of the tappa in the Banaras gayaki or vocal style is quite different from the Gwalior style, although the compositions created by Shori Miyan in Punjabi are common to both gharanas. The Banaras gharana vocalists seem to prefer the 16-count or matra taal called Sitarkhani or Addha. We begin with a tappa set to